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Business contractions concerned about the welfare of their workers

National Day of Theatre, I went to the Bridge to see contractions of Mike Bartlett. One Friday night again, but after seeing the play left me a little beaten.

two women on stage.

A behind a desk, his face expressionless, sitting, well groomed, with his legs crossed without moving at any time.

The other, a woman with a radiant face, de pie, bien peinada, caminando lo justo hasta su silla.

Una la jefa, la otra la empleada.

Ambas en una reunión de trabajo donde la jefa comienza con un sutil recordatorio sobre las clausulas de la compañía y la prohibición de mantener cualquier tipo de relación "romántica y sexual" entre los trabajadores de ésta. Recordatorio que en las siguientes reuniones entre ambas (27 en total), se transforma en un interrogatorio, un agobiante diálogo que me transportó de la comedia inicial, a una atmósfera kafkiana asfixiante y de angustia permanente, casi absurda, doliente y con más de un ribete de realidad.


Emma. Pasa. Hello. seat ... the words repeated 27 times in less than an hour. The words for each of the scenes that start in the routine of a company more, to become one of the most macabre transformation processes forced, coerced in quotes, because freedom of choice is always present, but the faint shadow of constant fear.

A play where the company's concern for its workers, is only a concern for production workers, which is not surprising, nor is criticism, even when this concern begins to become a somewhat schizophrenic obsession, to the point of controlling the sexuality of their employees. Strong language, a blow to a system where many, like it or not, we have become an accomplice in these processes.
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Taira Court, losing his beaming face in scene after scene. A transformation of his soul in his eyes, back, hands and her voice changes from moment to moment. Behind the desk, almost motionless, almost without flinching or when the offense is hard Salosny Kathy. Here there is no transformation, it seems like it was before. Both hold the overwhelming text endless doors and windows as traps. In the direction Constanza Brieba to stage this show crude and those corresponding to go see.

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LO SABEMOS

Everything in life is a lie! The best way to "create" a good movie is to copy all other resources and forgotten ... Do not you think? just go!

Everything Is A Remix: KILL BILL from robgwilson.com on Vimeo .

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